Aware 物の哀れ, by In Gloom Hours We Move

Aware 物の哀れ

by In Gloom Hours We Move

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Cassette + Digital Album
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1.	Aware 物の哀れ 02:04	buy track
2.	The nectar 06:08	buy track
3.	Bird and thunder 04:39	buy track
4.	Goodbye, my brother 02:21	buy track
5.	Seymour`s perfect day 03:20	buy track
6.	The hidden demon 02:00	buy track

about

Aware 哀れむ

A deep feeling provoked by the ephemeral beauty of nature.

Side A

1.Aware 物の哀れ
2.The nectar
3.Bird and thunder
4.Goodbye, my brother
5.Seymour`s perfect day
6.The hidden demon

Side B

1.Monogoto no yūutsu 物事の憂鬱。(Cassette only)

Field recordings using in the conception of Aware 哀れむ .

:: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: :: ::

Digital download contains a bonus track.

Produced & performed by IGHWM.

Synths & field recordings by IGHWM.

Fields recording from different places of Uruguay in 2020, 2021 and 2022.

Cover art in public domain took from pxhere.com/en/photo/925552

ighwm.bandcamp.com

REVIEW:

"Anyone who has been out in the natural world at any point in time can attest to becoming seemingly overwhelmed by the beauty that surrounds them at times. It is this very concept that Aware 哀れむ attempts to encapsulate for the listener. While synths are present throughout, much of this theme is communicated through the use of profound field recordings, although this is not the case for all tracks here.
One of my favorite examples of the sublime use of field recordings on this album can be heard in "Bird and Thunder." The track starts off slowly with a simple, singular synth playing out pads that straddle a line between peaceful and ominous. As the synth plays, the ambient sounds of an approaching storm are heard in the background in a moment of beauty and foreboding. But IGHWM doesn't solely rely on these recordings throughout to convey these sentiments. "Goodbye, My Brother" almost completely disposes of the field recordings for its two-and-a-half-minute runtime while conveying the same strange sense of beautiful foreboding. It is this tension between the two that seems to permeate and define the entire album."

www.onthefringesofsound.com/post/rounding-the-fringes-june-30?fbclid=IwAR2DqfQwZ6zNQeGMLeG5KftbeT-8KzPTh9obp60JOfL5ULfCpkw-K0htGC0

credits

released August 5, 2022

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V33 Records Montevideo, Uruguay

LABEL HOME OF
AMBIENT/DARKAMBIENT/NONMUSIC/DRONE/NOISE/POSTROCK and MORE

SUBMISSIONS FOR DIGITAL RELEASES ARE OPEN.
veinte33rec@gmail.com

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